An Alumnus of NYU Tisch with 4+ years of professional working experience and hands-on training in positions related to set production and production management. 

 

I have been professionally trained and safety-teched on a variety of different editing softwares (Adobe applications, ProTools, Da Vinci Resolve), a diversity of video/audio production equipment (most recently, the ARRI Alexa Camera Kit and 633 sound devices), and in general, guidelines of professionalism from pitch deck to post-production (Covid Compliance, working with minors, location agreements, and in general, maintaining a healthy and happy environment with the people around you). I am familiar with a multitude of booking applications, script supervision techniques, and all aspects of logistical/administrative reporting required to be a contributing production assistant on set to formal executives.

 

Furthermore, I have fulfilled production roles as an assistant director, location scout, and line producer.

 

In between these more intensive positions, I was a production assistant on a multitude of sets–a large portion of my curriculum was fulfilling extensive hands-on hours training as production assistants on projects both within NYU and within the industry as well; this included facilitating full-on productions to live studio audiences and extensive training that I have continuously prioritized in my last few years of conducting larger film projects. I have dedicated the last 3 years especially to developing call sheets, arranging meetings, delivering contractual agreements on time, troubleshooting technology, processing payments, and essentially being a jack-of-all-trades in regards to being a right-hand-man on set–something I understand is a necessity in production and also something I always view as an opportunity to aid a director in turning an artistic idea to a tangible project.

 

The last film I directed, titled Emily, was a project for which I was heavily involved in production due to Covid-19 safety guidelines; fulfilling both roles as the director and production coordinator were essential to the production, which has qualified for the first rounds of a NYC film festival and is currently in the running for placements this early fall!